A HORROR THRILLER

UNA PELÍCULA DE TERROR

A HORROR THRILLER ✦ UNA PELÍCULA DE TERROR ✦



SORCERER MEETS ALIEN EN ESPAÑOL

Deep in the jungles of the Dominican Republic, a group of laborers struggle to cut a road in brutal working conditions until an encounter with a mythical predator forces them into a deadly battle for survival.

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EXECUTIVE SUMMARY

GENRE: HORROR THRILLER

LANGUAGE: SPANISH, TAÍNO

BUDGET: $2.4M USD

LENGTH: 109pgs

COUNTRY OF ORIGIN: USA / DOMINICAN REPUBLIC

IP: ORIGINAL SCRIPT, BASED ON FOLKLORE

EVERYONE LOVES HORROR. LATINOS LOVE THEM MORE!

It’s no secret that theater-going audiences love horror thrillers. And Latino viewers, who drive a statistically disproportionate amount of ticket sales in the USA, love them even more! They over-index by even more in this category. Let’s give them something to get excited about.

The success of films like The Legend of La Llorona, Sinners, and Rosario are proof that audiences are looking for ethnic horror - horror that comes at new themes, from new angles, from new perspectives. This film is based on the Dominican legend of the CIGUAPA. Well known to millions on the island, but unknown to the world at large, this foundation means that we get to introduce a brand new monster with a built-in audience into the horror movie pantheon.

This project aims squarely at an adult segment, with a hard R rating bringing action, blood, and guts to get butts in seats. There are several sequences in this film that will prove controversial, driving conversation about this online before it even comes out: brawls, machete fights, and illegal cockfighting round out a script with themes about machismo, male competition, class dynamics, camaraderie, and greed.

Dominicans all know who the Ciguapa is, and now the rest of the world will too, through MACHETEROS.

Improving on- and off-screen representation of Latinos, their stories, and their culture could generate billions of dollars in new revenue for the industry.
— McKinsey Research

CHECK OUT THESE INDUSTRY RESOURCES AND MARKET DATA

READ McKinsey: Industry Insights Latinos in Hollywood
READ ADWEEK: POWER OF THE HISPANIC CONSUMER
READ NIELSEN: LATINOS IN MEDIA DRIVE BINGEABILITY
READ NIELSEN: LATINOS INFLUENCE POPULARITY OF STREAMING SHOWS

COMPARABLES

BARBARIAN

2022

Known Budget: $4.5m

Release Date:  Sept 9, 2022

WW Gross: $45,352,337

SINNERS

2025

Known Budget: $90m

Release Date:  April 17, 2025

WW Gross: $236,765,221 (est)

TAROT

2024

Known Budget: $8m

Release Date:  May 1, 2024

WW Gross: $49,104,745

THE CURSE OF LA LLORONA

2019

Known Budget: $9m

Release Date:  April 19, 2019

WW Gross: $123,233,739

COME INTO THE JUNGLE WITH US

MACHETEROS IS AN ORIGINAL IP BASED ON THE DOMINICAN LEGEND OF

LA CIGUAPA

(Original Concept Art)

JUMP ONTO A ROLLERCOASTER RIDE

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JUMP ONTO A ROLLERCOASTER RIDE |

STORYLINE

CHICHÓN and GATO are two cousins who work as laborers, or macheteros, cutting roads into the jungle under “alpha male” foreman JULIO for the enigmatic landowner DON JACK. It’s tough, dangerous work, and the two cousins let off the steam by drinking and betting on cockfights at a local fighting ring with fellow macheteros INTELIS, RASMOISES, FLACO, TERCO, and RICKY.

At the end of a big project, instead of promised time off, Don Jack offers them a deal: a job on the other side on the island for crazy money, on an expedited timeline, but they have to keep it quiet. Nobody can know where they are, or what they are doing.

The macheteros find the campsite eerily abandoned, full of signs of recent work that indicate that whoever was there before had simply vanished in the middle of a job.

They experience sound bubbles in the jungle; strange chirps unlike any known creature. And of course, the heat; the mosquitoes; the backbreaking work. Julio’s iron-fisted leadership style creates tension in the crew, and Chichón makes a series of mistakes that injure others on the team, setting them back while alienating him from his cousin Gato.

Before long, the macheteros accidentally provoke an attack from the CIGUAPA, a blue-skinned spirit of vengeance that lives in a nearby river. Her backwards feet, long black hair, and disgustingly slimy tongue belie her ability to possess men at a glance through eye contact. To them, she appears as a beautiful woman. And she is - or was.

Before she became the Ciguapa, NÍGUALI was an indigenous Taíno murdered during the era of colonization. But 500 years later, reincarnated by the spirit of a local river as a monster, she takes her revenge on any man that enters her territory.

To her, they are simply invaders to be punished. Food. And the Ciguapa is hungry.

She attacks the camp. All hell breaks loose. Many are killed or taken. Even Gato disappears, possessed by the Ciguapa and stolen into the jungle.

The next morning, Chichón has to make a decision: does he bail out to save his skin, or does he risk certain death to confront the Ciguapa and rescue his missing cousin?

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Meet the Team

  • DANIEL ORAMAS

    DIRECTOR-WRITER / PRODUCER

    Daniel Emilio Oramas is a bilingual Cuban-Dominican American Producer-Director based in Atlanta with over a decade's experience in the industry.

    He has led multicultural teams producing award-winning branded content across North America, Latin America, and Europe for brands such as Jack Daniel’s, Home Depot, Sakrete, and IHG.

    His versatility as a Director, Producer, Editor, and DP gives him a uniquely comprehensive perspective on what is needed to drive the story forward for maximum effect whatever the project.

    Macheteros was born of his passion for history and his memories of spending time in the mountains of Jarabacoa as a child.

  • GUILLERMO ESCALONA

    PRODUCER

    Guillermo Escalona is a screenwriter, director, and producer who graduated from the EICTV International Film and Television School in Cuba. He co-created and co-wrote the HBO Max original series “Mil Colmillos“(A Thousand Fangs) with Jaime Osorio, produced by Warner Media and Rhayuela Films in Colombia. 

    With an extensive career as a producer, Guillermo has worked on numerous feature films and documentaries. He produced Juan Carlos Falcón's “People You May Know,” as well as the documentaries “The People's Fighter: Teofilo Stevenson” and “The Space Race” for National Geographic, directed by Diego Hurtado de Mendoza. The Space Race received multiple accolades, including a nomination to the Documentary Script award at the 2025 Writers Guild Awards. His work as a producer also includes “Duino,” a film that received multiple awards at LGBTQ festivals, including the Audience Award for Best Narrative Feature and the U.S. Narrative Feature Grand Jury Special Award at the New York LGBTQ Film Festival 2024.

  • ANGELICA PEREZ-CASTRO

    ASSOC. PRODUCER / CINEMATOGRAPHER

    Angélica Pérez-Castro is a Puerto Rican cinematographer and steadicam operator based in Atlanta. A member of IATSE Local 600, she has over 10 years of experience in the film and television industry. Her work has been seen on Netflix, Fox, HBO, Amazon, Hulu, and at festivals worldwide.

    In 2021, she was selected for the ASC Vision Mentorship Program, followed by the AFI Cinematography Intensive in 2022. She is also a member of Women In Media and an active member of the Society of Camera Operators (SOC).

    She is an active presence in the film community, having taught camera workshops and spoken in panels at events such as the Atlanta Film Festival, Cine Gear Expo, Rome Festival, Kodak Film Lab, and more.

LET’S TELL THIS KILLER STORY TOGETHER

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